Kochi Muziris Biennale 2014: Part Two
Last week I left you with a Chinese painting, this week I shall start by throwing you into a vortex!
This was Anish Kapoor's Descension - a huge whirling mass of water that threatens to pull us in at any moment. The effect was quite mesmerizing and I kept my body tilted backwards and got a good grip on my camera before taking this pic!!!
Muhanned (sic) Cader's Galle Fort:: Fort Kochi was refreshing in that it took scenery pictures out from the usual rectangular boundaries they are usually confined to. Eg:
Doesn't the outline below remind you of the cartoon "Phineas and Ferb"
Then there was a series on the ever-familiar and inimitable Namboodiri's black and white drawings! Here is just one for you!
His drawings look deceptively simple and always lead me into delusions that I can be an artist too!! Alas!
Mithu Sen's video installation I have only one language; it's not mine is a disturbing video, mainly shot in a rehabilitation home for abused women and children in Kochi. By means of some editing process or filter that is beyond me, the artist has turned the video into red and white sketchy outlines. It just captures one and the unconnected, mumbled dialogue makes it even more surreal.
Hans Op de Beeck's black and white watercolor paintings are wonderful in their use of light and in the beautiful detail. A couple of examples:
a Kathakali scene:
Tell me what can you make out from this picture?
Someone scratched up the wall? Look a bit closer:
Manish Nai's untitled work is done on a specially prepared grey surface with the use of white and black "pixels". Although the final result is no great shakes, the technique is wonderful.
Biju Jose's Swastik Pocket Knife is a tongue-in-cheek depiction of our country's extremist tendencies. Have a look:
Punaloor Rajan's photos enshrined a veritable who's who of Kerala's literary and cultural scene. It definitely deserved a better exhibition stall than the poky shelves it was housed in. Just a glimpse of a young Madhavikkutty. Looks gorgeous, doesn't she?
Having finished the exhibits in the Aspinwall compound, we took an auto to the Pepper House. Here we saw Gigi Scaria's Chronicle of the Shores Foretold (remember Marquez's novel of a similar name?). It was in the form of a fountain spouting from a giant bell...
Then we encountered the elaborate and breathtaking work of art by Sumakshi Singh aptly named Between the Pages. We were puzzled by the instructions to leave our footwear outside. Here are a few glimpses. Tell me if you can make out anything:
Completely confounded, aren'tya??? Ok, to put you out of your misery, I will show you the first screen we saw on entry:
These were the viewers who preceded us. See how the panels are so staggered and designed to make the viewers a part of the whole? There are also animated figures projected on to the panels: birds flying, etc, which adds even more layers of experience to the work. And here we are, "Between the Pages" ourselves!!!
Of course I have left out several artists and pictures in this post too. I hope you will be encouraged to see these works for yourself and see if you like any others even better! By the way, there is enough material left for a third post on the Biennale! So see you next week!